ADPC: Mirrors and Windows, 2022
Interactive algorithmic time lapse generation of viewers seen through wireframe drawings of people and mirrors and windows.
3d pen, Raspberry Pi, Arducam 4-camera hat, 4 64MP cameras, python code, display.


Tommy Mintz
I am an artist and Associate Professor of Photography at CUNY Kingsborough Community College. From New York City, I grew up in the West Village and currently reside in Chelsea with wife, two kids and two cats. I earned an MFA from Queens College in 2005 and a BA from Sarah Lawrence College in 1999 with a concentration in photography. I have exhibited in galleries locally, nationally and internationally. I am an urbanist of the Jane Jacobs school of thought. Through my work, I seek to engage in a conversation about how her ideas of what make a vibrant urban landscape are important to consider in this moment of worldwide and neighborhood change. I am interested in the rapid pace of construction, displacement, and efforts of preservation, both in the physical world and the digital world, where there are interesting parallels in our anxiety of the increasing amount of information being retained or, possibly worse, lost. I am also a member of the Institute for Wishful Thinking, a loose collective of artists whose work focuses on social issues.
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http://tommymintz.art
What inspired you to make this project?
John Szarkowski’s essay, “ Mirrors Windows” for his exhibition of that name at the Museum of Modern Art, NYC in 1978 introduces the concept that every photograph is either an mirror- an expression of the artists of her self, or a window - an exploration of the world.
This idea stuck with me during the pandemic as we were never more separated by windows and staring into zoom mirrors.
In response, I made an iteration of the Automated Digital Photo Collage interactive version to include a sketch of places I found windows and mirrors during my daily experience rendered with 3-D plastic hand drawn with an armature that holds the plastic drawn wire frame of the mirror or window in between the viewer and the camera to create a another layer of visual separation and meaning.